Special speakers – sponsored by the department directly or with funding from the Lester P. Shreffler (Harvard University)Ģ009 Susan McClary (University of California, Los Angeles)Ģ008 Bonnie Wade (University of California, Berkeley)Ģ005 Steven Feld (University of New Mexico)Ģ003 Philip Gossett (University of Chicago)Ģ001 Christopher Waterman (University of California, Los Angeles)Ģ000 Glenn Watkins (emeritus, University of Michigan)ġ998 Anthony Seeger (Smithsonian Folkways)ġ997 Richard Taruskin (University of California, Berkeley)ġ996 Philip Brett (University of California, Berkeley)ġ995 Maynard Solomon (emeritus, Graduate Center, City University of New York)ġ993 Margaret Murata (University of California, Irvine)ġ992 Bruno Nettl (University of Illinois)ġ991 Howard Mayer Brown (University of Chicago) To date, the featured speakers for this prestigious series have included:Ģ021 Manuel Pedro Ferreira (Centro de Estudos de Sociologia e Estética Musical, Portugal)Ģ020 Timothy Rice (University of California, Los Angeles)Ģ018 Tim Carter and Annegret Fauser (University of North Carolina at Chapel Hill)Ģ016 Nicholas Cook (University of Cambridge)Ģ015 Ellen Koskoff (Eastman School of Music)Ģ013 Anne C. Since the 1970s, the musicology program, as part of a major public university with a powerful music-making tradition (including a vigorous composition department), has graduated students with specialties in European music of several eras, American music of many stripes, and performance traditions from various parts of the world. More recently, the faculty ranks have been complemented by the addition of Christi-Anne Castro, Mark Clague, Gabriela Cruz, Charles Garrett, Inderjit Kaur, Charles Lwanga, Diane Oliva, Mackenzie Pierce, and Stefano Mengozzi. Stein joined the department, followed in later decades by Joseph S. Weichlein, among others, into an expanded department with students at all points on the academic spectrum. That merger brought Richard Crawford, Judith Becker, David E. In 1974, the musicology department merged with the School of Music, Theatre & Dance’s department of music history, which in earlier years had served only undergraduate and master’s students. Malm joined the musicology faculty, the latter introducing the study of ethnomusicology to the graduate program. In 1954, the university acquired the library of Belgian musicologist and collector Jean-August Stellfeld, whose 20,000 volumes, including rare prints, did much to provide a basis for the scholarly study of European music from the 16th century on.ĭuring the 1960s, Glenn Watkins, Albert Cohen, and William P. Cuyler and Raymond Kendall, with a faculty that included Hans T. SMTD Backstage: Internal Resources for Students & EmployeesĮstablished in 1948, as part of the University of Michigan’s Rackham School of Graduate Studies, the musicology program developed through the 1950s under the leadership of Louise E.Sustaining Excellence in the Performing Arts. ![]() Michigan Youth Performing Arts Pre-College Program. ![]() MPulse Summer Performing Arts Institutes. ![]()
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